This isn't the first Metal Gear game to use the "Fulton surface-to-air-recovery system"-a balloon device that yanks people and items from the ground and shoots them back to Mother Base via air transport-but it feels more overused here than ever before. The "Fulton surface-to-air recovery system" is overused and gimmicky. Read More: Hideo Kojima and the Dangers of Hero Worshipģ. Pride cometh before the fall and all that. I was annoyed when Konami took Kojima's name off the box-art, but now I wish they'd come in and taken it out of the game, too. It's enormously annoying after a while and there's a vanity to it that really rubs me the wrong way. HEY DID YOU KNOW THIS IS A GAME BY HIDEO KOJIMA? Credits in-between each mission are silly.Ĭredits roll after each mission in The Phantom Pain. We are reminded over and over and over again that Hideo Kojima is the genius behind the game's creation. Let's call this a mixed bag, and one that deserves its own post further down the road.Ģ. I don't like scavenging for crafting materials, and I miss the linearity of previous titles. I really enjoy capturing bases in the Far Cry games and I enjoy it here, too, but it feels sort of weird to be in such a traditional open-world environment.
You need something to distinguish Far Cry 5 from its predecessors.) There's a whole base management/recruitment system in play that's not in Far Cry (though it might as well be, Ubisoft. You have Mother Base and you develop new weapons and gear.
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